Archive | April, 2012

Startup Sitdown – Ian Crosby (10Sheet)

26 Apr

Ian Crosby is the CEO of fellow TechStars company 10Sheet. His startup is completely revolutionizing the book keeping experience, especially for small businesses, by moving it online and onto a beautifully designed interface. Ian and his co-founders Adam, Pavel and Jordan just moved from Canada to NY for TechStars (Pavel moved from Siberia). They are a magnetic team and the pride of Canada.

What is 10Sheet?

The idea is that right now, a lot of small business just have a bookkeeper that they send all of their book keeping stuff to – receipts, bank statements, invoices – then the bookkeeper sends back financial statements, so your income statement or balance sheet. We want to provide the same experience but do it in a much more automated and streamlined way. We do it in a much more pleasant way and we’re able to do it way cheaper – like 10 – 20 percent of the cost because we’ve got a lot of automation and smart things we’ve done with the process. So again, the user gets a way better experience at a fraction of the cost.

Where did the idea come from?

Well when I was at University, I was paying my way through school as a bookkeeper, and I realized that it was just a horribly inefficient process, and something that a lot of small businesses just don’t want to spend time on. Its just really frustrating and they need a solution. After getting exposure to that problem, its just something I really wanted to solve for small businesses. Because If I was ever going to an entrepreneur, that’s one thing I didn’t want to deal with, so why not just wipe that off the face of the planet. Then the next time I start a company thats one thing checked off the list that I don’t have to worry about.

What is your personal history with entrepreneurship?

I’ve always done little things on the side. Even just being a freelancer, hiring myself as a tutor. I had one traditional job, which was working at my dad’s law firm, which I just hated, and realized that I have issues working for somebody else. I was in the army for a few years, and I learned a lot. I felt like if I was going to work for somebody else, I better be learning a ton. Otherwise it’s just not worth my time for a paycheck. I worked for Bain & Company much for the same reason: I wanted to be an entrepreneur, but had no idea how do to it, so I just had to get the business world, figure out how it works, and then I could strike out on my own. I needed to learn how to scale the things I had done on the side and turn them into a business. Continue reading 

Lua + GA Event: Technology & The Future of Film Production

23 Apr

We are excited to announce that on May 3rd, we’ll be hosting an event with General Assembly  exploring the ways technology is changing film production. The event will feature a panel discussion with Q & A and then some time for attendees to mingle and enjoy free beer and wine. We have a few awesome panelists (listed below) and a fantastic moderator. Come and hear from filmmakers and technologies about the way new technologies are dramatically reshaping many aspects of the filmmaking process. Space at General Assembly is limited, so grab your ticket now. Hope to see you all there!

Technology & The Future of Film Production

May 3rd from 7:00 pm – 9:00 pm

Complimentary beer and wine will be served.

How is technology affecting the entertainment industry? Join us for a panel discussion moderated by journalist and author, Christopher S. Stewart. Stewart is the Deputy Bureau Chief of Media at theWall Street Journal and is a former contributing editor at Conde Nast. His work has appeared in GQ,Harper’sThe New York Times MagazineThe Paris ReviewSalonWired, among others. He is also the author of Hunting the Tiger. His second book, Jungleland, will be released in 2013.

Panelists include:

Duncan Cook of Slated

Duncan is the CEO & Co-Founder of Slated, the next-generation online marketplace for investing in film. Slated is an exclusive community platform designed to connect investors with a global network of filmmakers and industry professionals.

Chris Kenneally of SIDE BY SIDE

Chris is a writer, director, and post production supervisor. His most recent documentary, SIDE BY SIDE, is currently playing at the Tribeca Film Festival and explores the dramatic impact that digital technology is having on the movie industry. Made with producer Keanu Reaves, it features interviews and insights from the likes of Martin Scorsese, George Lucas, James Cameron, David Lynch, the Wachowskis and many more.

Todd Sklar of Rangelife Entertainment

Todd is the producer and director of Box Elder’92 Skybox Alonzo Mourning Skybox Rookie Card, and Awful Nice. He is also a founder of Rangelife Entertainment, a distribution and marketing company for independent films.

TICKETS HERE

Startup Sitdown – Danfung Dennis

3 Apr

Danfung Dennis sits right at the intersection of film and technology. He is an Oscar nominated documentary filmmaker and the CEO of a tech startup called Condition ONE. Condition ONE is pioneering the way video is both captured and displayed. Their technology produces 360 degree immersive video for the iPad. It’s tough to describe the experience of watching a Condition ONE video, but anybody who hasn’t heard of the company should check it out immediately. Danfung’s cofounders are equally impressive – Peter Sung has started 5 companies and Takaaki Okada, the company’s designer, has an installation permanently on display in the MOMA. They have taken the technology onto the battlefield, and are currently working on bringing it to live sports. We got the chance to ask him about his film background, his time in Afghanistan, and his first entrepreneurial venture.

What is Condition ONE?

Condition ONE is a technology startup developing software to license to media companies to allow them to create a new type of video for their tablet and mobile audiences. These immersive experiences are videos that can be manipulated using an iPad and make users feel like they are actually there. Our team is made up of four co-founders and a couple of employees – we’ve been developing the software for almost 18 months.

What do you see as the most compelling applications for Condition ONE video?

Because of my background, we definitely see it being used for news, breaking news especially – events where you want to place the viewer right there and have them be able to see it first hand. We also see a tremendous interest from sports, especially extreme sports. You can sort of capture the intensity of these events unlike with traditional video and give the viewer the sense of being right on the sideline. Then also entertainment and brands are some key use cases that we haven’t really explored yet.

Can you talk about your background?

I’m from Ithaca New York, and studied applied economics at Cornell. I went to Afghanistan and started working as a photojournalist. I showed up with no contacts, on my own as a freelancer, and on the second day a large anti-america riot broke out triggered by an incident in which  civilians were killed by American forces. While photographing this event, I was nearly killed in the process, and sent the images back to New York, where they were published by the New York Times, and I started working for them as a freelancer. I had always photographed, but really just as a hobby. My dad gave me a camera when I was thirteen and I’d always loved it – it was a way for me to communicate, express ideas, and capture things I loved. Then I saw this book by James Nachtwey titled Inferno, this tome of images from the past 30 years of conflict. The images shook me to the core and changed how I saw the world, and I saw for the first time what evil really looked like. I wanted to follow in that tradition, so I trained as best as I could for going to Afghanistan, and then took that leap, knowing I would go to war. So I did Afghanistan and then Iraq, 2007-2008, then back to Afghanistan in 2009. It was all still images, I had always been motivated by the idea that the image has the power to shake people from indifference, and it could drive people towards action.

How did you move into filmmaking?

After years of working as a photojournalist, I felt that society had become numb to these pictures, that they were losing their impact. So I wanted to move into a new medium to try and convey these stories. That’s where I started with video, and making a film. Even after making Hell and Back Again, and having it theatrically distributed and going through the whole process of the film festivals and the Oscars, I was still very frustrated with the extent of how much I could communicate through that existing medium and that distribution model. It’s really an archaic model of how content is distributed, at least at that feature-length film level. And so the ideas for Condition ONE were already emerging even in the midst of making that film. It’s a flat screen, it’s this passive experience, and theres still this emotional gap between the stories and the viewers. So Condition ONE was the next step of how we can bring people even closer to stories of what people experience. So Condition ONE is connected to what was changing in camera technology, but also what was  changing in the distribution and consumption of content.

Keep reading after the jump…

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